BLACKMAGIC POCKET CINEMA CAMERA
JHDT_Productions
29 Oct 2013 10:53
I do the same. Actually I have always edited my stock footage in After Effects.
I created a saved setting for ColorFinesse for my c300 and the pocket camera.
Don I'll send that to you, it may get you started for your pocket cam clips.
I created a saved setting for ColorFinesse for my c300 and the pocket camera.
Don I'll send that to you, it may get you started for your pocket cam clips.
RekindlePhoto
29 Oct 2013 14:56
Thanks Jake, I'm sure it will help. I have AE so I just need to play with all options.
markoconnell
29 Oct 2013 17:24
Color Finesse for me as well. It does a great job.
OverheadProductions
29 Oct 2013 18:05
The RGB Curves plugin in Premiere is a pretty handy tool
markoconnell
30 Oct 2013 03:02
"Stationary shots are no problem but a POV driving through a parking lot with autumn color leaves is a real pain..."
Shots with radical light changes are gonna be difficult to do with this camera. When it blows out it really blows out (highlights I'm talking). If the changes aren't too intense you can ride the levels in AE by using the standard Levels adjustment and key framing the values.
Shots with radical light changes are gonna be difficult to do with this camera. When it blows out it really blows out (highlights I'm talking). If the changes aren't too intense you can ride the levels in AE by using the standard Levels adjustment and key framing the values.
Mizamook
30 Oct 2013 03:50
Forgive me for being clueless, but isn't part of the whole point of a higher bit rate/color depth codec or shooting RAW that you get more detail especially in complex/repeating patterns and high motion?
Big +1 on Color Finesse. Very cool. Might buy the standalone, but wish they had it for Vegas plugin since my workflow incorporates Vegas for normal things, AE/ColorFinesse for heavy lifting.
Big +1 on Color Finesse. Very cool. Might buy the standalone, but wish they had it for Vegas plugin since my workflow incorporates Vegas for normal things, AE/ColorFinesse for heavy lifting.
JHDT_Productions
30 Oct 2013 13:02
Sure is. This isn't anything strange or new to people that have been shooting with the RED camera for years.
But it is new to the rest of the world in workflow.
Isn't radical light changes a problem for any camera? Especially a DSLR. I used to set the zebras on this camera to 100% but now I set it to 80 or 90% depending on the shot and that gives me a lot more to work with.
But it is new to the rest of the world in workflow.
Isn't radical light changes a problem for any camera? Especially a DSLR. I used to set the zebras on this camera to 100% but now I set it to 80 or 90% depending on the shot and that gives me a lot more to work with.
akennedy
7 Nov 2013 21:44
Kinotehnik has introduced a loupe for the BMPCC and it is available now. Unfortunately it does not have a diopter. Available at B&H (and others) for $159.
According to someone I spoke with at Zacuto, they will have a Z-Finder for the camera available in January.
According to someone I spoke with at Zacuto, they will have a Z-Finder for the camera available in January.
markoconnell
8 Nov 2013 05:30
The Hoodman cinema loop works. It's not a perfect fit but close, and it has a diopter.
RekindlePhoto
10 Nov 2013 23:19
Uploaded a few from the camera. Seems to be a little easier.