Quiénes somos
Instrumental catalogue of Fernando Garcia - producer, DJ and AV engineer in Denver, Colorado. ONE-STOP on every track: I control master and publishing. No co-writers, no features. Clearance is one email. 100+ instrumentals - house, boom bap, trap, dancehall, synthwave, Latin, country soul. Written, produced, mixed and mastered by hand in FL Studio 2021-2023 over 572 documented sessions. No AI. Sessions on request. 24-bit/44.1kHz masters. Custom lengths and stems on request.
Artista de Pond5 desde 2026
Colecciones destacadas
Todas las Colecciones
Boom Bap and Lo-Fi Hip-Hop
Dusty, head-nod instrumentals at 80 to 95 BPM. Jazzy sample loops, acoustic drums, vinyl texture. Full tracks plus :15, :30 and :60 broadcast cut-downs of every one. One-stop clearance from the composer.
Country and Americana
Acoustic guitar, brushed drums and open road at 60 to 110 BPM. Built for rural, outdoor and heartland storytelling. Full tracks plus :15, :30 and :60 broadcast cut-downs of every one. One-stop clearance from the composer.
Island and Latin Grooves
Dancehall, reggae and reggaeton at 90 to 105 BPM. Dembow rhythms, steel and palm, sunset riddims. Built for travel, hospitality and summer campaigns. Full tracks plus :15, :30 and :60 broadcast cut-downs of every one. One-stop clearance from the composer.
Melodic House and Electronic
Driving, uplifting electronic at 115 to 130 BPM, written at altitude in Denver. Built for openers, time-lapse, arrivals and arena moments. Full tracks plus :15, :30 and :60 broadcast cut-downs of every one. One-stop clearance from the composer.
Synthwave and Nu-Disco
Retro-futurist synth instrumentals at 110 to 125 BPM. Neon drive, night pool, chrome and sunset. Built for lifestyle, tech and fashion spots. Full tracks plus :15, :30 and :60 broadcast cut-downs of every one. One-stop clearance from the composer.
Trap and Dark Hip-Hop
Heavy 808s, half-time tension and sub-bass weight. Built for crime drama, fight-camp training, product reveals and sports hype. Full tracks plus :15, :30 and :60 broadcast cut-downs of every one. One-stop clearance from the composer.